Imihlahlandlela Yesitayela: I-Neotraditional

1. Ukuphathwa
2. Izitayela
3. i-neotraditional

Funda umlando, amathonya, kanye nezingcweti zesitayela se-neo-traditional se-tattoo.

Imibala egqamile nemangalisayo, evamise ukuba ngamathoni akhumbuza amavelvethi e-Victorian, amatshe ayigugu aluhlaza noma imibala yamaqabunga ekwindla, abhangqwe nemininingwane ekhazimulayo njengamaparele kanye neleyisi ethambile iyona evame ukufika engqondweni uma ucabanga ngesitayela sendabuko. Ngokungangabazeki ubuhle obudlulele kakhulu ekudwebeni ama-tattoo, lesi sitayela esihlukile sihlanganisa amasu obuciko bendabuko baseMelika nendlela yesimanjemanje kanye ne-voluminous. Kulo mhlahlandlela, sizobheka umlando, amathonya, namaciko athi indlela ye-neotraditional njengeyabo.

Umlando kanye nomthelela we-neotraditional tattooing

Nakuba ngezinye izikhathi kungase kubonakale kukude kakhulu nesitayela sendabuko saseMelika, i-neotraditional empeleni ilandela imithetho eminingi yobuchwepheshe ye-tattooing yendabuko. Nakuba ububanzi bomugqa nesisindo kungase kuhluke, imidwebo emnyama isengumkhuba ojwayelekile. Ukucaca kokwakheka, ukubaluleka kwesivimbelo sekhabhoni emnyama ekugcineni umbala, nezindikimba ezijwayelekile ezinye zezinto ezifanayo. Umehluko phakathi kwama-tattoo endabuko kanye nama-tattoos endabuko usemininingwaneni yawo eyinkimbinkimbi, ukujula kwesithombe kanye nokushintsha okungajwayelekile, iphalethi yombala ogqamile.

Mhlawumbe umnyakazo wokuqala wobuciko bomlando oziveza ngokushesha ngesitayela se-neo-traditional i-Art Nouveau. Kodwa ukuze uqonde i-Art Nouveau, umuntu kufanele aqale aqonde umongo kanye nophawu lwalokho okuholele ekutheni umnyakazo uchume.

Ngo-1603, iJapane yavala iminyango yayo kuwo wonke umhlaba. Izwe elintantayo lalifuna ukuvikela nokulondoloza isiko lalo, okwathi ngenxa yokucindezela kwamandla angaphandle, lalisengozini enkulu. Nokho, eminyakeni engaphezu kwengu-250 kamuva, ngo-1862, izikhulu zaseJapane ezingamashumi amane zathunyelwa eYurophu ukuze ziyoxoxa ngokuvula amasango aseJapane aqashwe kakhulu. Ukuze kudambe ukungezwani phakathi kwamazwe nokugcina ubudlelwano obuhle bezohwebo, izimpahla zala mazwe womabili seziqalile ukuwela ulwandle namazwe, zilindele ngabomvu ezandleni zabo.

Isithakazelo ezimpahleni zaseJapane sasicishe sibe yi-fetishistic eYurophu, futhi ubuciko bezwe baba nomthelela omkhulu ekubukeni kobuciko besikhathi esizayo. Ngasekupheleni kwawo-1870 no-80s, umsebenzi wobuciko waseJapane ungabonakala onomthelela omkhulu emsebenzini ka-Monet, Degas kanye no-Van Gogh. Besebenzisa imibono eyisicaba, amaphethini, ngisho nezinsizakusebenza ezifana nabalandeli abapendiwe nama-kimono ahlotshiswe kahle, ochwepheshe be-Impressionist baguqule kalula amafilosofi obuciko aseMpumalanga emsebenzini wabo. UVan Gogh waze wacaphuna: "Asikwazanga ukufunda ubuciko baseJapane, kubonakala kimi, ngaphandle kokujabula futhi sijabule, futhi lokhu kusenza sibuyele emvelweni ..." Lokhu kuthutheleka kweJapaneism nokubuyela emvelweni, kwakuzothungela umlilo. ukunyakaza okulandelayo, okwaba nomthelela omkhulu ekudwebeni kwemidwebo ye-neo-traditional yesimanje.

Isitayela se-Art Nouveau, esidume kakhulu nesisetshenziswa phakathi kuka-1890 no-1910, siyaqhubeka nokukhuthaza abaculi namuhla, okuhlanganisa abaculi be-tattoo be-neotraditional. Isitayela sathonywa kakhulu imisebenzi yobuciko yasempumalanga eyayikhonjiswa eYurophu ngaleso sikhathi. Ukuthatheka nge-aesthetics yaseJapane kwase kushubile, futhi ku-Art Nouveau, imigqa efanayo nezindaba zombala zingabonakala ezifana kakhulu nezinqumo zokhuni ze-ukiyo-e. Lokhu kunyakaza akukhawulelwe ezicini zobuciko obubonakalayo be-2D, kube nomthelela ekwakhiweni kwezakhiwo, ukwakheka kwangaphakathi, nokunye okwengeziwe. Ubuhle nobunkimbinkimbi, imininingwane ye-filigree ethambile, konke kuhlangana ngokuyisimangaliso nemifanekiso, evame ukumiswa ngokumelene nokwasemuva kwezimbali eziluhlaza nezigcawu zemvelo. Mhlawumbe isibonelo esihle kakhulu salokhu kuhlanganiswa kwezinhlobo zobuciko i-Whistler's Peacock Room, eyaqedwa ngo-1877, yahlotshiswa futhi yahlotshiswa ngomqondo omangalisayo wezakhi zase-Asia. Nokho, u-Aubrey Beardsley no-Alphonse Mucha bangabaculi abadume kakhulu be-Art Nouveau. Eqinisweni, ama-tattoos amaningi endabuko aphindaphinda amaphosta nezikhangiso zikaFly, ngokuqondile noma ngemininingwane ecashile.

I-Art Deco kwakuyinhlangano elandelayo yokuthatha indawo ye-Art Nouveau. Ngemigqa ecwebezelayo, ethuthuke kakhulu futhi engathandeki kangako, i-Art Deco yayiwubuhle benkathi entsha. Noma kunjalo, yayivame ukungavamile ngokwemvelo, yayiyinkimbinkimbi kakhulu kune-Art Nouveau, eyayisagcwele ngokweqile isiko lama-Victorian. Umuntu angabona umthelela we-Egypt ne-Afrika, ngokwengxenye ngenxa yokuqhuma kweNkathi ye-Jazz, eyakhuthazwa kakhulu amandla esizukulwane esisha esalulama ekucindezelekeni kweMpi Yezwe I. Nakuba i-Art Deco ingazange ibe nomthelela kuma-tattoos we-neo-traditional njengobuciko be-Nouveau, intshiseko enkulu, ubuciko kanye nomlilo we-neo-tradition kuthathwe kulo mnyakazo othile wamasiko.

Zombili lezi zitayela zinikeza isisekelo esimangalisayo nesikhangayo se-neotraditionalism.

Neotraditional tattoo abaculi

Nakuba abaculi abaningi be-tattoo besikhathi samanje bezamile ukwenza kahle i-neo-traditional tattoo, abekho abaphumelele njengo-Anthony Flemming, Miss Juliet, Jacob Wyman, Jen Tonic, Hannah Flowers, Vail Lovett, noHeath Clifford. Kukhona nezitayela zikaDeborah Cherris, Grant Lubbock, Ariel Gagnon, Sadie Glover, Chris Green noMitchell Allenden. Ngenkathi ngamunye walaba baculi be-tattoo esebenza emkhakheni we-neo-traditional tattooing, bonke baletha ukunambitheka okuyingqayizivele nokuhlukile kwesitayela. UHeath Clifford noGrant Lubbock bagxile emibonweni yezilwane enesibindi, kuyilapho u-Anthony Flemming no-Ariel Gagnon, nakuba bobabili bezifela ngezilwane, bavame ukufaka izingcezu zabo ngemininingwane yokuhlobisa njengamaparele, amatshe ayigugu, amakristalu, ileyisi nomsebenzi wensimbi. U-Hannah Flowers waziwa ngezithombe zakhe ezinhle zama-nymphets nonkulunkulukazi. Ungabona izinkomba ku-Klimt no-Mucha; umsebenzi wabo ukhonjwa njalo kuma-tattoos akhe endabuko. U-Vale Lovett, ophinde abe ngumdwebi wezilwane nabesifazane, mhlawumbe uhlonishwa kakhulu ngomsebenzi wakhe omkhulu we-blackwork, ovame ukuhlanganiswa nezitayela ze-Art Nouveau kumafomu e-filigree kanye nemihlobiso yezakhiwo.

Kungakhathaliseki ukuthi ihlotshiswe ngokukhazimulayo okuhle kwamaparele amhlophe, ageza ngemibala efudumele nenhle yesimo sezulu esipholile, noma abekwe engadini ebusiswe ngegolide nezimbali eziluhlaza, ama-tattoo e-neotraditional aziwa ngobuhle bawo obuminyene nobunethezeka. Akuwona umkhuba, kuyisisekelo esamukelekile kuphothifoliyo enkulu nehlukahlukene yomphakathi we-tattoo yeminikelo yesitayela.